Hello! I hope you enjoyed our piddly-squattin' production of The Best Little Whorehouse in Texas!
This is just a itty bitty pissant note to let you know that if you cannot find information you want on here, or would like something explained a little more, please comment and let me know. I'll do my best to add it. Ya'll come back now, ya hear? Chicken Ranch.JPG

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Howdy, ya'll! This is Melanie Grace Guthrey, dramaturg for Emerson College's Emerson Stage production of The Best Little Whorehouse in Texas. I will be providing instant access to information on all things "TBLWIT".

Please feel free comment on the appropriate entry with any suggestions or comments you have. There will be an entry for each dramaturgical element of the show (i.e. The Chicken Ranch, Marvin Zindler, the cast, et cetera), easily searchable by Tags and Categories).
For future reference, elocutionary posts like this will be tagged as "Letter".
This post will be found under the Categories Letters and Our Production.

You can also download and print your own copy of the Actor's Packet by clicking the link:
Actor's Packet.doc

Or download your own PowerPoint slideshow (as seen in the Majestic Lobby) by clicking this link:  The Best Little Whorehouse in Texas.ppt

Have a nice time here and be sure to enjoy the show!

The Best Little Whorehouse in Texas

whorehouse-SMALLBook by Larry L. King & Peter Masterson
Music by Carol Hall
Director: Stephen Terrell
Cutler Majestic Theatre

Thursday, April 23 8pm
Friday, April 24 8pm
Saturday, April 25 2pm (talk back)
Saturday, April 25 8pm

Set in a small Texas town, the show follows the trials of the Chicken Ranch, a brothel targeted by an enterprising news reporter as a den of sin and "carnal lust". With a dynamic country score and heel-kicking choreography, this show will be directed by Stephen Terrell and play the Cutler Majestic Theatre April 23-25, 2009.

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Production Team

Director

Stephen Terrell
Musical Director

Todd Gordon
Choreographer
Stephen Terrell
Set Designer

Kathryn Kawecki
Costume Designer

Tiana Brinton
Lighting Designer

Phil Galler
Sound Designer

Adam Howarth






Stage Manager

Davin DeSantis
Company Manager

J'aimie Graham
Assistant Director

Brian Dann
Dramaturg
Melanie Guthrey


Gilbert > LaGrange
Lanvil county > Fayette County

Miss Wulla Jean > Miss Jessie
Mona Stangely > Edna Milton
Sheriff Ed Earl Dodd > Sheriff T.J. Fournoy
Melvin P. Thorpe > Marvin Zindler
If you have an interest in reading and seeing things for yourself, this is the place to be!
While there are links scattered throughout the other blog posts, these here directly relate to wanting to read about "the best little whorehouse in Texas" for yourself.

Go on! Decide for yourself what happened way back in 1973!

Texas Monthly, October 1973. "Closing down LaGrange"
     This article is sentimental, but even-sided about the conflict between the town and Zindler. Good reference for local's comments on the events as well as cool photos.

Time Magazine, August 27, 1973. "House on the Range" Here.
This concise article has a great amount of information and quotes from locals/customers. Sensible and similar to what other Americans would have seen.
Palo Alto College's Small Town Archive Project's page on LaGrange
     Beautiful pictures of the city as well as several local anecdotes, including the Chicken Ranch story.

ABC-13 Eyewitness News, Sept 6, 2005, "Best Little Whorehouse in Texas"
Article by Marvin Zindler looking back at the events that transpired 25 years ago.
     Very interesting and full account of the story from his side, having no interest in the proceedings for the brothel. Specifically recounts all the input that the Texas State government had in the events.

The Handbook of Texas Online, article on the Chicken Ranch

     Summation of Chicken Ranch history up to and after its closing. Pulls largely from Jan Hutson's book on the brothel. The typical story used.

Review and Trailer of the 1983 documentary "The Chicken Ranch" by Nick Bromfield about the Nevadan brothel of the same name (the owners bought the rights).
     This is interesting because it features the attitudes of the working girls about their jobs in an era close to 1973.

YouTube playlist of Marvin Zindler: A Final Farewell, as broadcast on ABS-13 Eyewitness News.
     Part 4 contains information and footage! of  the Chicken Ranch, Flournoy, and Edna.
     Parts 2 and 7 are recommended as well. All parts are under 5 minutes in length.
    This commercial is worth checking out as well.
dying.jpg
I found this image of the Chicken Ranch in 2005. There are similar pictures by others. Apparently (from article and pictures) the Chicken Ranch Restaurant merely relocated the main house building to Houston. The rest was left thereand still serves as a site for tourists to La Grange.
bio_pic.jpg
"I wanted the space to have a sense of small-town-hominess and warmth, but I also wanted to make sure it was transformable. We need to be able to go to several locations, but at it's core the house and the music are the heart of this show, so the band and the framework of the house are always present.  The rest of the show and design are built on top of and around that base, so we always have it as a touchstone.  Other than that, I just wanted to give it a sense of fun. It's a fun show."
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"We wanted to make all the costumes true to the time period and work with the very distinctive 1970s Texan look. There are a lot of cowboy hats and boots, Western-cut shirts, and jeans for the men, and the Chicken Ranch girls all wear garments of shorter length and bright colors with varying styles to reflect their individual personalities.
"It was important to us that the girls didn't look trashy, since the Chicken Ranch is a place where Miss Mona and the girls have control, and they have to maintain Miss Mona's standards for how the business is run. It was great to get to design for such a wide variety of characters, from prostitutes to tacky businessmen to pink gingham-clad chorus singers, and the fact that it's in 1973 added to the fun of it."

IMG_0397.JPG"As the props master my job is to work with the director and set designer to actualize their vision, its about problem solving and making finishing touches on the world they have created.  My assistants and I started with a meeting with Stephen Terrel a few months ago and have been developing these props since.  This show has been an interesting journey as it is my first time propping a large musical, I learned quickly that there is 18 of everything."
Miss Jessie and car.jpg
There are many practices of the Chicken Ranch that are mentioned in the beginning of the show. Let's explore them and more!

Miss 'Wulla Jean' and perversions - Miss Jessie, the real counterpart to Miss Wulla Jean, did not care for anything more exotic than the missionary position and would throw customers out if they asked for more.

precloital genital washing
- this was really practiced in the Chicken Ranch. Entry elaborates.

not going into Gilbert - the girls of the Chicken Ranch would not have been overly welcome in the city of La Grange. As Texas Monthly puts it, the girls would not be invited to community bar-b-ques, but would be given leftovers.

coming at the sound of the bell - this is a common practice for brothels. The girls are expected to show up, no matter the time of day, when customers show up and the bell is rung. The idea is that the girls are always available.

set price for sex
- unlike the brothels of Nevada, the Chicken Ranch really did have set prices for their time and acts (fellatio being added in the 1960's). This tended to range from $3-$40 under Miss Jessie.

Aggie discount - there seems to have been an $8 Aggie discount in place for students of Texas A&M. Aggies have been known to, upon finding out that a peer is a virgin, tie him up and take him to the Chicken Ranch.

regular medical checks
- the girls of the Chicken Ranch had mandated bi-weekly medical checks to make sure they were healthy and clean. Local officials knew about this and recieved a twice yearly report of the status of the Chicken Ranch from the Sheriff.

girls from far away
- as a matter of course the girls at the Chicken Ranch were not local girls. This allowed for there to be female and spousal support of the business (for keeping rape from happening) after it was exposed on television.
Edna Milton.jpg
Image property of Corbis

Edna Milton, or Mona Stangley in the musical, was the madam of the Chicken Ranch from 1952 until its closing in 1973.

She worked for Miss Jessie for a very short time before buying the land and house from her. Her history before showing up at the Chicken Ranch in unknown.

Edna continued many of the practices that Miss Jessie had started, continuing the amiable relationship between brothel and local government and community support.

After the Chicken Ranch closed, she moved to east Texas and married a restaurant owner. When the Chicken Ranch Restaurant opened in Austin, she became its hostess. After that closed she went on Broadway as Miss Wulla Jean and a consultant to the musical The Best Little Whorehouse in Texas.

A fun anecdote about how Edna left the show:
One night, as she was saying goodbye to the stage manager, he said he'd see her tomorrow. She said, "No. I'm goin' home," and left. Of course they expected her to show up the next day, not having talked about leaving with anyone. But sure enough, she did not return the next night and had, in fact, left and gone home to east Texas.